Thursday, 27 January 2011

My Favourite Thriller


Federal Marshall Teddy Daniels and his new partner Chuck Aule travel to a government-run mental institution for the criminally insane on Shutter Island, near Boston, when there is a report that one of the prisoners has gone missing. Daniels has his own reasons for wanting to get to the island and carries baggage of his own. He is still traumatized from what he saw when his army unit liberated one of the Nazi concentrating camps at the end of World War II and is still haunted by the more recent death in a fire of his wife and children. The head of the hospital, Dr. John Cawley, treats him alright but others give the agents a less than warm reception. Daniels particularly wants to find out what is going on in one of the wards, reserved for the most serious offenders. As Daniels begins to peal away the layers of deceit, it becomes obvious that not all is as it seems.
Source: Internet Movie Date Base

I think it is the best psychological thriller ever (As you can see in previous)  because towards the ending you getting lost  between the two sides and don't know who is right and what is right. In addition it is are very well chosen location and story about a insane asylum makes the movie more mysterious.

Shutter Island

Directed by Martin Scorsese
Produced by Martin Scorsese
Bradley J. Fischer
Mike Medavoy
Arnold W. Messer
Screenplay by Laeta Kalogridis
Steven Knight 
Based on Shutter Island by Dennis Lehane
Starring Leonardo DiCaprio
Ben Kingsley
Mark Ruffalo
Michelle Williams
Cinematography Robert Richardson
Editing by Thelma Schoonmaker
Studio Phoenix Pictures
Appian Way Productions
Sikelia Productions
Distributed by Paramount Pictures
Release date February 19, 2010 (2010-02-19)
Running time 137 minutes
Country United States


Budget $80 million
Gross revenue $294,803,014

Wednesday, 26 January 2011

The Master of Suspense


Sir Alfred Joseph Hitchcock was probably the most famous director for thriller movies. He was born in England where he made his early movies. In 1939 he moved to Hollywood where he created his most famous movie psycho in 1960. He invented many techniques in filming suspense and psychological thriller movies. In his films he has done a lot with the point of view and shots to increase suspense. He have worked for more the 5 decades on making movies with a result of 53 movies he became a cultural icon.

Monday, 24 January 2011

The music makes the diffrence

For a good thriller the music plays an important part. The music makes the difference and only with the music you can build up unbeliveable suspense which attract everyone who watch it.
Typical thriller suspense music, imagine anyone is sneaking through a dark corridor, not knowing if anyone’s there and you cant see anything you only hear the music. Especially for such scenes the music is very important and and does what distinguishes a good thriller.


Click here for an example of thriller music

Film Classifications




‘U’
Universal – Suitable for all

It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.

If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice. Examples: FernGully: The Last Rainforest, The Incredibles



‘PG’
Parental Guidance
General viewing, but some scenes may be unsuitable for young children

Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children. Example: The Simpsons Movie, Toy Story, Tron: Legacy


’12A’/’12′

Suitable for 12 years and over

Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.

The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.

The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work. Examples: Harry Potter and the Deathly Hallows, Pirates of the Caribbean, Yes Man, Fred: The Movie



’15′
Suitable only for 15 years and over

No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work. Examples: The Uninvited, Good Luck Chuck, Love and Other Drugs



’18′
Suitable only for adults

No-one younger than 18 may see an ‘18’ film in a cinema.

No-one younger than 18 may rent or buy an ‘18’ rated video.

In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:

* where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
* where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
* where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.

In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Examples: In Bruges, Saw III, Jackass 3D

The is information above is taken from the British Board of Film Classification

List of top 50 thriller movies by American Film Institute



1. Psycho 1960
2. Jaws 1975
3. The Exorcist 1973
4. North by Northwest 1959
5. The Silence of the Lambs 1991
6. Alien 1979
7. The Birds 1963
8. The French Connection 1971
9. Rosemary's Baby 1968
10. Raiders of the Lost Ark 1981
11. The Godfather 1972
12. King Kong 1933
13. Bonnie and Clyde 1967
14. Rear Window 1954
15. Deliverance 1972
16. Chinatown 1974
17. The Manchurian Candidate 1962
18. Vertigo 1958
19. The Great Escape 1963
20. High Noon 1952
21. A Clockwork Orange 1971
22. Taxi Driver 1976
23. Lawrence of Arabia 1962
24. Double Indemnity 1944
25. Titanic 1997
26. The Maltese Falcon 1941
27. Star Wars 1977
28. Fatal Attraction 1987
29. The Shining 1980
30. The Deer Hunter 1978
31. Close Encounters of the Third Kind 1977
32. Strangers on a Train 1951
33. The Fugitive 1993
34. The Night of the Hunter 1955
35. Jurassic Park 1993
36. Bullitt 1968
37. Casablanca 1942
38. Notorious 1946
39. Die Hard 1988
40. 2001: A Space Odyssey 1968
41. Dirty Harry 1971
42. The Terminator 1984
43. The Wizard of Oz 1939
44. E.T. the Extra-Terrestrial 1982
45. Saving Private Ryan 1998
46. Carrie 1976
47. Invasion of the Body Snatchers 1956
48. Dial M for Murder 1954
49. Ben-Hur 1959
50. Marathon Man 1976

Friday, 21 January 2011

Wordle: Untitled




The thriller is both a novel and a movie genre with different, partially overlapping subgenres. Thriller is characteristic of tension that is present not only in short passages, but almost throughout the course of action. Short-term, or representatives like Matthew Reilly even almost continuous, fast-paced action but may also occur. Frequently encountered are spacious suspense, cliffhanger, etc.


  The thriller is very similar to the mystery-genre or the detective novel, but they differ in their story and tension-curves. In a thriller movie the hero often have to fight against moral, psychological or physical violence caused by his opponent. The highlight of the movie is mostly the very close but definitive victory over the evil, with the hero who often rescues hisself and sometimes others. Thrillers which are influenced by tragedies

Wednesday, 19 January 2011

AS Media Coursework
This is the ''AS Media Studies Thriller Project Blog", My name is Julian Linnemann. I am a media studies student in Aldenham School. I from Germany, Bremen. Over the next weeks I will create a thriller movie but before I start to film the first sequences I will do some research about general information and genric conventions about thriller films.